Category Archives: Reflections

Memorial Day

1969 was the next-to-last time Memorial Day would be observed on May 30th.  It was also the first time I participated in a small-town parade. This was before a day dedicated to the people who gave their lives in war became a three-day federal holiday and an excuse to sell mattresses and cars. (I must admit, however, that I got a great deal on a new laptop on Monday.)

I’d enrolled in band my freshman year at Streator High School and took up the flute, largely out of guilt. My sister had started flute lessons two years before but I complained about listening to her practice so much that she quit. This was one of many attempts to atone for my transgressions that I’d make in the coming decades. It turned out not to be a bad decision; hey, it worked for Herbie Mann and Ian Anderson. But don’t ask me to play for you.

I wouldn’t play with the band until the following school year but our director thought everyone in band should participate in the Memorial Day parade and assigned me to the color guard. We would hoist heavy hardwood flagpoles into sturdy leather carriers that draped around our shoulders and ended in a pouch that looked like a codpiece (prompting the inevitable dick jokes) and lead the band in the annual remembrance.

The parade route from the War Memorial at the City Park to Riverview Cemetery was about a mile, so we made a practice run a few days ahead to make sure we could march in formation and not embarrass ourselves. Four of us lined up in the middle of Morrill Street on a warm, overcast afternoon, with our flags and poles, and marched towards the football field a few blocks away. Gary, one of the two trumpet players who would do “Taps” at the cemetery, told me to count as we marched.

“One, two, three, four. One, two…”

“No, that’s not it. Count like your marching in the Army!”

“I never been in the Army. Whaddya mean?”

Gary took over.

“Left, right, left, right…no, your other right foot! C’mon, pay attention.”

We got in sync and then Gary switched to an old Army cadence:

Sergeant Brown is turning green
Hut, two, three, four
Someone pissed in his canteen
Hut, two, three, four

I snorted but that flagpole was a lot heavier than I anticipated, so I kept marching. We made it to the football field and back without incident and figured we were ready.

Our band uniforms were at least twenty or thirty years old. They were a muted navy blue, god-awful heavy, and smelled like musty basements and sweat. We also wore spats – those white shoe covers worn by gangsters in the 1920s.  We dressed in the band room and then walked the five blocks to the park, gathering around the memorial before lining up in the street.

I don’t remember what music we played as we made our way down Main Street; it’s not that important. But the music stopped when we got to the bridge over the Vermilion River, a block away from the American Legion. The drummers continued to tap out a rhythm on the edges of their drums as we walked silently, past Westgate Plaza, past the public swimming pool, and into the cemetery.

Gary and I walked to the far end of the cemetery and stopped behind a cluster of evergreens. We waited as the rest of the procession assembled inside the gates. Someone may have said a prayer or given a small speech, but we were too far away to hear.

Then Fred, the first chair trumpet player, started “Taps,” pausing after each phrase. Gary, from our position in the trees, responded with the same phrase, as a distant echo. Back and forth they played, reverently. It was more poignant because everyone knew someone who had died in Vietnam and dreaded the deaths still to come.

A quarter of a century later I tried relating this ritual to my kids but had to stop as the tears rolled down my face. Our country was at peace then, but it was only temporary. Another conflict would follow, then another, and another. The Gulf War. Somalia. Bosnia. Kosovo. Afghanistan. Iraq. ISIL. We became numb and didn’t want to think about the devastation, the broken bodies and broken lives. Maybe we just got tired.

So, on this May 31st, the day after what we recalled as Memorial Day, ponder this passage from the Gettysburg Address:

“…It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us — that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion — that we here highly resolve that these dead shall not have died in vain…”

Peace be with you.

My Life as a “So-Called” Writer

I’m a writer. At least that’s what it says on the business cards I will get some day. Locum Tenens Physician. Writer. Curmudgeon.

I am a decent writer. I can put pen to paper (or fingers to keyboard) and create cogent sentences and paragraphs. I’ve been writing since grade school; I’d won three essay contests by fifth grade. I can craft a well-reasoned argument. Sometimes I write a tale or two for my friends to read.

Am I a successful writer? That depends on one’s definition or criteria for success. I’ve a long history of writing letters to the editors of various newspapers, magazines and industry throwaways. I had an article, “Paving the Road to Hell,” published in a semi-prestigious journal for physicians who want to be administrators and get away from the daily grind. I would have had another piece published in that journal, but it called into question the very reason for the organization’s existence. They fired the editor after she’d accepted it and that was that!

I have a small following on a blog I’ve been writing for about 4 years. I started out writing political diatribes—which energize me—but my fan base wanted more introspective reflections of my past or heart-warming (and sometimes gut-wrenching) stories from my career. That’s where I’ve stayed. (I use Facebook for a political outlet but it’s not good for my blood pressure.)

Am I a commercially successful writer? Well, if I was going to make a living by writing, like my friend Wendy, I’d starve. The average writer makes enough to pay the bills. Very few hit the big time. I wrote one piece on rural practice for a recruiting magazine – gratis. It was OK but it felt more like a class assignment than something from my soul.

I long ago gave up the idea of being on the New York Times Best Seller list. I shot my wad getting through medical school and practice and I don’t have the stamina or creativity to write a best-seller every year.

I don’t have a classic writer’s persona. I don’t get up at 4 am and write for several hours. I’m not the bearded “writer” in that irritating Volvo commercial with the Walt Whitman voice-over (who is even more pretentious in the long version):

“Afoot and light-hearted I take to the open road.
Healthy, free, the world before me.
The long brown path before me leading me wherever I choose.
Henceforth, I ask not good fortune, I myself am good fortune.
Henceforth, I whimper no more, postpone no more, need nothing.”
(“Song of the Open Road”, from Leaves of Grass, 1856)

I lack his rugged good looks and your average writer doesn’t make enough to drive a high-end car. I have an eleven-year-old Nissan Altima and my inspirational passage would be more like:

“Lead-footed and quarrelsome, I drag my sorry ass
Down another highway to another job
Shackled to the demands of the material world
Lead me not into temptation for I can find it myself
I ask just to stay alive long enough to retire
And tell the rest of the world to go fuck itself.”

I’ve no desire to be one of those desperate writers carrying around their Moleskine books, writing furtively while waiting at the doctor’s office or in a restaurant. I don’t want to fret about being rejected like one of the writers I knew from a local writing group.  You like it? OK. You don’t like it? OK too. I can’t please everyone.

I went to a writer’s workshop in October, 2016, hoping to get a sense that people outside of my circle would find my stuff interesting, intriguing and, most of all, worth publishing. Why? Because I’ve been reading writing magazines for several years trying to figure out what attracts publishers. I read some of their recommendations and thought, “This stuff is crap. What the hell did they see in this?”  Weeks after I couldn’t give you a summary of any of those books if my life depended on it.

So, I ask, “What do readers and publishers/editors want to read and am I writing that kind of stuff?”

I may never get a satisfactory answer as writing is highly subjective. I write best when I have something to say. I don’t write when there’s nothing about which to write, but that isn’t good if I want to create a “platform,” a term than makes me cringe. If I want mental exercise (read: procrastinate), I’ll play my Kindle game, play the piano, shuffle the pile of paper on my desk, or take my faithful furry companion for a walk. Maybe some idea will rear its ugly head, like this narrative or why is my desk never cleared.

My greatest struggle is just writing sometimes for no reason at all.

READING LIST
Memorable Memoirs
Mary Karr: The Liars’ Club, Cherry, and Lit. The Liars’ Club made my childhood seem positively idyllic. Despite a tumultuous life, Mary Karr is the Jesse Truesdell Peck Professor of Literature at Syracuse University.

Tom Robbins: Tibetan Peach Pie: A True Account of an Imaginative Life. A highly amusing and engaging memoir.

Tobias Wolff: This Boy’s Life. Wolff’s memoir of his adolescence with an abusive stepfather. A young Leonardo DiCaprio starred in the film version.

They write like gods!
Jim Harrison: Legends of the Fall. The first story in this trilogy, “Revenge,” is an exquisite story of love, betrayal and revenge. After reading it I was reminded of Tom Lehrer’s quip: “It’s people like this who make you realize how little you’ve accomplished.”

Hugh Howie: The Silo series (Wool, Shift, and Dust). A dystopian future in which humanity now lives in 100+ level underground silos but does not remember why. One woman is determined to find out.

Raymond Atkins: The Front Porch Prophet. A cast of quirky characters in small town Georgia augment the relationship between A. J. Longstreet and his childhood friend, Eugene Purdue, now dying of pancreatic cancer. One reviewer compared Atkins to Mark Twain.

Just damned good fun
Anything by Neil Gaiman: American Gods; Anansi Boys; Neverwhere; The Ocean at the End of the Lane: A Novel, Good Omens (with Terry Pratchett).

Anything by John Sandford

Books on Writing
Stephen King: On Writing

Tracy Kidder and Richard Todd: Good Prose: The Art of Nonfiction

Brenda Miller: Tell it Slant: Writing and Shaping Creative Nonfiction

William Zinsser: On Writing Well

William Zinsser: Writing About Your Life: A Journey into the Past

Adair Lara: Naked, Drunk and Writing: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay

Closing Up Shop

Every physician eventually faces the decision to hang up one’s spurs and walk into the sunset to a life of less stress, less money and more time to aggravate one’s spouse by getting underfoot.  Sometimes, because of physical infirmity or loss of mental capabilities, that decision is out of one’s hands. An old surgeon under whom I trained who was nearing retirement said, “I’d rather be missed than dismissed.” Others have either amassed a considerable personal fortune or, as a classmate who worked for a state medical school for 30 years and retired at 54, a comfortable public sector pension. But some of us wake up one day, decide “this isn’t fun anymore” and just quit.

I started thinking about getting out a couple of years ago after I overheard a nurse say, “Anyone who does an abdominal hysterectomy these days should be sued for malpractice.” I trained long before the era of the laparoscopic approach to everything and I’m comfortable with the abdominal approach. I’ve never liked vaginal hysterectomies; it’s like operating in a tunnel. I haven’t done major gynecologic surgery in almost ten years and I don’t miss it.

While I love obstetrics, it is a physically demanding specialty. Staying up all night becomes more difficult as one ages and near impossible by the time one reaches mid-fifties. My back doesn’t tolerate 8-hour surgery marathons like I did when I was in my thirties.

It can also be emotionally draining. I’ve had to tell more than one mother her baby has died, and I’ve cried with her and the nurses after the delivery. Our receptionist and her unborn son were killed when she was 38 weeks pregnant. An elderly man ran a stop sign and broadsided her car in a rainstorm. A colleague’s 18-year-old patient died from Group A streptococcal sepsis two days after delivering her baby. We’ve lived long enough that we know all the bad things that can happen and the prospect fills us with dread.

I’ve also known physicians who’ve gone through their entire careers with a clean record only to find themselves being sued when they are within a few months of retiring. That alone scares me more than anything else; like waiting for the walk down the Green Mile.

Medical practice has changed since I started and often not for the better. New physicians are likely to be corporate drones working 9 to 5 for large health care groups, potentially succumbing to a shift mentality, something I saw during my days working for a staff-model HMO. “It’s five o’clock and time for me to go home. You’re now someone else’s problem.” I always stayed until the last patient was seen, worked in emergencies and sometimes met patients after hours because it was more expedient than sending them to the emergency room, which would call me several hours later anyway. Now they call it “old school.”

Many physicians no longer take call or see patients in the hospital. They’ve been replaced by hospitalists who work 24-hour in-house shifts and go home. This arrangement might be preferable to having an overworked, sleep-deprived physician trying to juggle office and inpatients, but that personal connection many of us felt with our patients has been lost.

Smaller hospitals are not immune. As costs continue to rise and competition increases, they become “affiliated” with tertiary centers, if not bought outright, and the bean counters want a sizeable return on investment. One physician confessed, “I have men in three-piece suits telling me what to do—and I do it.” The hospital in which I worked in the early 1970s as an orderly closed recently, having held out too long against the regional behemoth’s advances.

Technology and guidelines derived from academic studies are making us obsolete. Seeing women every year for a pelvic and breast exam, Pap smear and a mammogram for older used to be the bulk of an Ob/Gyn’s office practice. Now, if a woman has a negative Pap and negative HPV testing the guidelines recommend another Pap in five years, even though I’ve seen women go from a negative Pap smear to invasive cervical cancer in a year. We no longer need to do an internal examination on a woman coming for birth control pills if she has no symptoms.  The National Breast and Cervical Cancer Early Detection Program told us our clinical breast exams only “modestly improved” early detection of breast cancer. The United States Preventive Services Task Force (USPSTF) says we should teach women “breast self-awareness” rather than breast self-exam, because “the current evidence is insufficient to assess the additional benefits and harms of clinical breast examination (CBE) beyond screening mammography in women 40 years or older.”

A nurse practitioner can do eighty percent of what I do. A Certified Nurse Midwife can do ninety percent. So why the hell do you need me?

I can rise to the occasion when circumstances require expedient action, such as a woman with a liter of blood in her abdomen from an ectopic pregnancy or a baby needing to be delivered immediately to avoid certain death, even though it often leaves a knot in my gut. I probably have a few useful years left but that evening stroll along a beach looks more inviting every day.

Image (C) CanStockPhoto

Sounds of summer

To everything there is a season and to every season there is music. Memorial Day Weekend kicks off the summer season. Here’s my list of tunes for the hottest time of the year. Be sure to check out the L.A. Woman video.

Summer in the City – The Lovin’ Spoonful. This was one of the first songs I heard on AM radio after emerging from the cultural isolation of small-town Arizona. The minor chord was unsettling; the jackhammer and ‘60s car horns, unforgettable. The windows were open at night because we didn’t have air conditioning and I could hear the rumbling shock wave of railroad cars coupling in the big train yard by the glass factory. Those were good factory jobs – allowed a lot of people to buy homes. 

Chain of Fools – Aretha Franklin. A cloudy, sultry summer night. There’s lightning in the distance near Chicago. The static interrupts the Queen of Soul as she sings I ain’t nothin’ but your fool / You treated me mean / Oh you treated me cruel.Thunderstorm canstockphoto5305187

Pleasant Valley Sunday – The Monkees.Another Pleasant Valley Sunday / Charcoal burning everywhere.” Kids running around the grass barefoot; dogs and burgers on the grill; the grown-ups in lawn chair with cans of Falstaff. Things would go to shit within a year – ghettos exploding; the cops going berserk in Grant Park in ’68 and a war that would take 58,000 sons and daughters.

Sunshine Superman – Donovan. Midsummer. A 1930’s era bungalow with the windows wide open for a breeze. A mother in a black floral print pinafore apron, the kind with the frill around the arms, presses clothes with a heavy Sunbeam Ironmaster, the one with the black handle and the braided cord. She dampens the clothes with water from a glass pop bottle corked with an aluminum sprinkling head. That’s the image I see when I hear this song.

Bad Moon RisingCreedence Clearwater Revival. High school kids in our rural Illinois town made money during the summer break by detasseling corn.  This is one of the songs they listened to in the car on the way to the fields.20150725_194221

Twistin’ By the Pool – Dire Straits.  In 1963 our parents listened to Nat King Cole sing Those Lazy-Hazy-Crazy Days of Summer. Twenty years later we listened to this with our kids. Sunglasses, bathing suits and the Euro beat. Annette and Frankie would fit right in.

School’s Out – Alice Cooper. Back in 1969 our parents thought Alice Cooper was dangerous. I should have known something wasn’t right when The Jet Song from West Side Story showed up on the third track. This son of a preacher man is a Republican, lived in Phoenix next to Barry Goldwater and gave up booze for golf (he has a four handicap). He’s been faithfully married to the same woman since 1976.

L.A. Woman – The Doors. Drivin’ down your freeways / Midnight alleys roam / Cops in cars, the topless bars. The dark side of the City of Angels.

Hey Frederick – Jefferson Airplane. Nicky Hopkins’ emphatic piano, Jorma Kaukonen’s piercing guitar, and Grace Slick’s sultry voice and erotic lyrics caressed my adolescent anger. Nicky has been gone 22 years; Grace and Jorma are now in their mid-70s and I’m a grandfather.

Blows Against the Empire – Paul Kantner/Jefferson Starship. This Hugo Award nominated concept album featured David Crosby and Graham Nash, the Grateful Dead’s Jerry Garcia, Bill Kreutzmann and Mickey Hart, and David Freiberg from Quicksilver Messenger Service along with Grace Slick, Jack Casady and Jorma Kaukonen’s younger brother Peter. It was a story of counter-culture people hijacking a starship and traveling out of the solar system in search of Utopia. Almost half a century later it reminds me of Berniebots. One of my favorite pieces, “Let’s Go Together,” starts at 8:14. The You Tube single version is an alternate take and kinda sucks.

Spoonful – Cream. Some of us defected to the dark side, leaving Top 40 for music our parents thought was dangerous drug music. Wheels of Fire-Live at the Fillmore fell into that category, with that psychedelic gatefold sleeve and Eric Clapton’s searing guitar. I bought the cassette version and would drive dark country roads listening to it on my portable player that looked like Dr. McCoy’s tricorder.

In-A-Gadda-Da-Vida – “I. Ron” Butterfly. Four of us high school misfits would sit around our dining room table solving the world’s problems, listening to this with the record changer’s overarm extended so it would play over and over. It likely drove the parents nuts, but they never let on. (Click on “I.Ron” if you’ve never seen The Simpsons’ version.)

Lord Have Mercy On My Soul / When Electricity Came to Arkansas – Black Oak Arkansas. Way back when, before 24-hour news cycles and talk radio, most of the small AM stations shut down at 10pm. This allowed me to pick up “The Mighty 1090,” KAAY-AM from Little Rock, Arkansas, playing longer tracks from relatively unknown rock artists: It’s A Beautiful Day, Bloodrock, Spooky Tooth, The Flock, Love Sculpture, Sisyphus, Hawkwind, Jamie Brockett, and Black Oak Arkansas. Nothin’ like a little redneck raunch ‘n’ roll to get you goin’.

China Grove – Doobie Brothers. The semester is over. All my earthly possessions are in the back of my 1973 Gremlin as I’m headed out of Champaign on I-74.Gremlin

Whipping Post – The Allman Brothers Band. Nothing says hot summer nights in the South like the Allmans’ music. The Fillmore recording segues into thirty-four minutes of Mountain Jam. It doesn’t get any better than this.Swamp sunset

Us and Them – Pink Floyd. Every so often a remarkable work appears. Dark Side of the Moon is unarguably one of the best rock albums of all time; this is one of the best tracks. So light one up and have a great summer.

Gremlin Photo (C) Paul Niedermeyer, Curbside Classic. Used with permission.
Thunderstorm and Bayou sunset (C) Canstock Photo
Cornfield – my photo

Waking the dead

My brother bought a black suit when he married at 45, remarking, “I’m going to be attending a lot of funerals,” a reasonable proposition at my age. We lost several people close to us last year, prompting me to reflect on my own mortality: how would I like to be remembered; what music I’d like at my memorial; whether to leave an estate or spend it all before I go.

I remember wakes more than funerals. It’s not the line of people waiting to comfort the bereaved and pay their last respects to the dearly departed. Rather, it’s the visual tribute and chronology of a life that leave more of an impression, particularly if one had been acquainted for a relatively short time. We used to assemble photo collages on poster board; now images can be digitally uploaded to a computer and played on a wall-mounted monitor, complete with soundtrack.

It usually starts with the square black and white glossy snapshots from the 1940s or 1950s, shot with a Brownie box camera. We were babies or little kids and death was an abstraction that never crossed our minds. I notice the backgrounds more often than the subject, recalling my own childhood. Living rooms with obnoxious floral wallpaper that was once trendy. The sturdy couch, armchair and ottoman, covered in a short-napped, rust-colored upholstery that felt like a fresh buzz-cut when you ran your hand over it. Sometimes there was a heavy mantle clock which required winding with a key. It was made with wood and the chime was real, not electronic.Mom and Me April 1955 cropped

Kitchens had refrigerators with rounded corners and latches, white gas stoves with pilot lights, and gleaming six-inch ceramic tiles (ours were yellow with black trim). Most average folk didn’t have a formal dining room like the Cleavers or Dr. Stone and his wife. More often a chrome and laminate dinette set with vinyl-covered chairs sat in the middle of the kitchen. At least one photo had a kid in a high chair, or, as with my sister, sitting ON the table while pouring out the sugar bowl. bday007 resizedOften a little one sat on the lap of a father or grandfather, dressed in a white T-shirt and dungarees, both of them smiling for the camera. Or the look was more subdued, suggesting Dad wasn’t quite used to having a squirming tax deduction. Grandmothers with short silver hair wore a severe, disapproving look behind those black, butterfly eyeglasses.  They always wore dresses; no jeans, slacks or pant suits. bday008 resized

Photographs evolved with the lives they recorded, becoming color prints or Kodachrome slides, which held up much better than the Instamatic pictures from the 1980s that would fade into various shades of red and brown. Siblings sat beaming in front of a real Christmas tree with those big clip-on light strings, surrounded by toys we’ve forgotten ever existed. There were snapshots of First Communion and Confirmation if you were Catholic, or the full-body dunk if you were Baptist. (I’ve never been to a Jewish funeral but I’m sure Bar Mitzvah pictures are prominent.) The years roll on with memories of family vacations; eight grade graduation; the first car if the parents had money or, more likely, a shot of the first driver’s license. High school prom if you were one of the cool kids. High school graduation and impending adulthood. Be careful what you wish for.Graduation 1975

The paths often diverged from here. Some went to college, then got married. A few married right out of high school and went to work. The bride and groom looked so young in those photos. Then they started having their own kids, assuming the mantle of parenthood from those now content to be grandparents. As one photographic cycle continued another one began. Before they knew it, those kids were grown with kids of their own and the roles shifted yet again.dar001For the most part everyone turned out OK. Occasionally a wayward child turned into a troubled adult despite the best efforts, something no one wants to talk about. Even more tragic was a child lost to illness, accident or war, a premature departure that remains painful and triggers tears.

Photos became larger and sharper in the twilight years. Digital cameras eliminated the trip to the developer for prints. Smart phones then surpassed digital cameras and entire albums were a finger-swipe away. Many a parent converted a shoe box full of memories to a digital archive; but they would never be anything like the originals.Thugs02

By now our grandparents are long gone. Our parents are leaving us one by one, sometimes later than expected as they live into their eighties and nineties, instead of having the big one in their sixties like they did when we were kids. Ironically that’s where we find ourselves now. We’ve come full circle.

The final episode of the original Twilight Zone was “Passage on the Lady Anne.” A young couple boards an aging cruise ship only to discover the other passengers are all quite elderly and find their presence unsettling. The pair is eventually forced off the ship and into a lifeboat, because this trip is, for them, premature. The others are sailing towards the Final Destination

We’re all booked on the Lady Anne. Sooner or later we’ll find a ticket in our hand, waiting our turn to board.